Rogier van der Weyden’s altarpiece (c.1445)

Last week, I visited the Royal Museum of Fine Arts in Antwerp, with a specific goal in mind: Rogier van der Weyden’s masterpiece, “The Seven Sacraments”. My visit was not solely to admire this exquisite triptych but also to delve deeper into the meaning of the seven sacraments. This exploration hereunder will be guided by seven works of art as visual narratives, with Van der Weyden’s triptych serving as our starting point.

In the interior of a Gothic church, Rogier van der Weyden has depicted two interconnected scenes. The Crucifixion is the main scene, with smaller episodes in the aisles of the church on the side panels and in front of the main altar in the central panel, forming the second scene: the “Seven Sacraments”. From left to right, we see Baptism, Confirmation, Confession, the Eucharist, Ordination, Marriage and the Anointing of the Sick. This church is a microcosm of medieval society, with rich and poor, young and old, all together on these three panels.
_{The Seven Sacraments (c.1445), Rogier van der Weyden (Flemish, c.1399 – 1464), 200x223cm, Royal Museum of Fine Arts, Antwerp.}

On the left panel from the front towards the back:
**Baptism**: initiation into the Christian faith involving water, symbolising purification of sins and rebirth.
**Confirmation**: children receive the Holy Spirit and become full members of the church, with anointing and laying on of hands by a priest or bishop.
**Confession**: forgiveness of sins through confession to a priest, and with penance if appropriate.

On the central panel, behind the Crucifiction and in front of the main altar:
**Eucharist**: the communion or the Lord’s Last Supper, it involves the consumption of bread and wine as symbols of Christ’s body and blood.

On the right panel, from the back towards the front:
**Ordination**: individuals are ordained as priests, to serve the church.
**Marriage**: symbolizing the union of two individuals in a lifelong partnership.
**Anointing of the Sick**: spiritual and physical healing, often administered to those who are seriously ill.

The Seven Sacraments in seven paintings

Baptism

Baptism is the sacrament of regeneration and initiation into the Church that was begun by Jesus, who accepted baptism from St. John the Baptist. Baptism is understood, therefore, as the annulment of one’s sins and the emergence of a completely innocent person.

Christ stands in a shallow, winding stream as Saint John the Baptist reaches up to pour a small bowl of water over his head. John had been preaching, encouraging people to repent of their sins and to be baptized: the river’s water symbolized the washing away of sin. The river is considered the river Jordan.
_{The Baptism of Christ (c.1440), Piero della Francesca (Italian, c.1417 – 1492), Egg Tempera on Poplar, 167x116cm, National Gallery, London.}

Confirmation

A sacrament that is conferred through the anointing with oil and the imposition of hands, Confirmation is believed to strengthen or confirm the grace bestowed by the Holy Spirit at baptism. The Confirmation rite is a relatively simple ceremony that is traditionally performed during the Mass by the bishop, who raises his hands over those receiving Confirmation and prays for the bestowal of the Holy Spirit. He then anoints the forehead of each confirmand with holy oil and says, “Accipe Signaculum Doni Spiritus Sancti” (“Be sealed with the gifts of the Holy Spirit”).

*This work depicts the moment when the Holy Ghost, in the form of flames, rests on the Virgin and the Apostles, as happend during pentecost day in Jerusalem.*
_{Pentecost (c.1600), El Greco, (Greek and Spanish, 1541 – 1614), 275x127cm, Prado, Madrid.}

Confession

This sacrament of reconciliation or penance, reflects the practice of restoring sinners to the community of the faithful by confessing one’s sins to a priest. The Roman Catholic Church claims that the absolution of the priest is an act of forgiveness. To receive it, the penitent must confess all serious sins, manifest genuine sorrow for sins, and have a reasonably firm purpose to make amends. The sacrament of confession was rejected by most of the Reformers on the grounds that God alone can forgive sins, and not through a priest.

John the Baptist was a hermit, living in the wilderness, calling on all who would listen to repent their evil ways, and of course, all in the name of God. That’s why he is pointing towards heaven. John the Baptist thus preached confession, repentance, and being baptized to be totally cleansed of any sins.
_{Saint John the Baptist in the Wilderness (c.1636), Guido Reni (Italian, 1575 – 1642), 225x162cm, Dulwich Picture Gallery, London.}

Eucharist

The Eucharist (from the Greek word “εὐχαριστία” which means “thanksgiving”) is the central act of Christian worship, also known as Holy Communion and the Lord’s Supper. The rite was instituted by Jesus at the Last Supper when he blessed the bread, which he said was his body, and shared it with his disciples. He then shared a cup of wine as his blood. Jesus called on his followers to repeat the ceremony in his memory. It is a commemoration of his sacrifice on the cross.

*The focus in this painting is on Christ, serene and triumphant at the moment of consecrating the bread and wine, amidst the apostles at the Last Supper. The bread in the form of the Sacred Host.*
_{The Last Supper (c.1556), Juan de Juanes (Spanish, c.1504 – 1579), 116x191cm, Prado, Madrid.}

Ordination

Ordination is a sacrament essential to the church, as it bestows an unrepeatable, indelible character upon the priest being ordained. The essential ceremony consists of the laying of hands of the bishop upon the head of the one being ordained, with prayer for the gifts of the Holy Spirit and of grace required for the carrying out of the ministry.

Christ orders Peter to feed the sheep, meaning that he actually charges Peter to take care of the believers. That’s how Peter became a priest and the first pope of the Catholic Church. Raphael here combines the story with giving Peter the keys to the kingdom of heaven.
_{Christ’s Charge to Peter (c.1515), Raphael (Italian, 1483 – 1520), cartoon as design for the tapestry for the Sistine Chapel, 343x532cm, Royal Collection Trust, Victoria & Albert Museum, London.}

Marriage

Marriage as a sacrament, also known as holy matrimony, is the covenant by which a man and a woman establish between themselves a partnership for the whole of life, administered in the presence of a priest. However, the inclusion of marriage among the sacraments gives the Roman Catholic Church jurisdiction over an institution that is of as much concern to the state as it is to the church.

Christ and Mary are invited to a wedding at Cana in Galilee. When Mary notices that the wine has run out, Christ delivers a sign of his divinity by turning water into wine. The account is taken as evidence of Jesus’ approval of marriage and earthly celebrations and has also been used as an argument against the total abstinence of alcoholic drinks.
_{Wedding at Cana (c.1305), Giotto (Italian, 1266 – 1337), Fresco, 200x185cm, Scrovegni Chapel, Padua, Italy.}

Anointing of the sick

This sacrament is conferred by anointing the forehead and hands with blessed oil and pronouncing a prayer. It may be conferred only on those who are seriously ill or on elderly people who are experiencing the frailties of old age. In popular belief, anointing is most valuable as a complement to confession or, in the case of unconsciousness, as a substitute for it. Anointing is not the sacrament of the dying; it is the sacrament of the sick.

This painting shows Christ’s mission to save the unfortunate and heal the sick. Christ is opening the eyes of a blind man, who kneels at his feet. His dog stares out of the painting, a reminder that soon he will no longer be needed to lead his master. There are three more unfortunate individuals: a lame beggar, with a crutch and a bowl, and two madmen. One of the latter is manacled, his chain held by a keeper; the other is cured of his possession, as an evil spirit (looking rather like a winged lizard) leaves his mouth. It seems likely that this painting has been commissioned by a hospital where its theme of healing and salvation would have been appropriate.
_{Christ Healing the Sick (1577), Crispin van den Broeck (Flemish, 1524 – 1591), 91x142cm, Royal Collection Trust, Windsor Castle.}

On June 11^th, 1776, birth of John Constable, English landscape painter. Now considered one of the greatest English painters, but during his life more successful outside England than at home. From Suffolk, England, Constable spent almost his whole life painting the local landscape, with clouds full of rain. His paintings show the England we know from Jane Austen and Downton Abbey. It all looks very romantic, and even the endless rain and clouds have their own charm.

John Constable (1776 – 1837), *“Salisbury Cathedral from the Bishop’s Garden”* (1826), 89x112cm, Oil on Canvas, The Frick Collection, New York.

Here is Constable’s “Salisbury Cathedral from the Bishop’s Garden”, from 1826. Painted for his friend the Bishop of Salisbury. The Bishop and his wife are standing in the front and he points out to the spire of the cathedral. An earlier version of this painting exists (in London’s Victoria and Albert Museum), but when the Bishop had seen that version he asked Constable if the weather could maybe be a bit more sunny. That’s why this second version has more blue sky. Apparently even for the English themselves, the endless clouds and rain can become too much. In our modern days of Instagram, one would put a filter over it. And that’s what Constable did by painting this second and more sunny version. Unfortunately the Bishop died just before his “sunny” painting was completed. It’s now on view in the Frick Collection, New York.

John Constable (1776 – 1837), *“Stonehenge”* (1835), 39x60cm, Watercolor, Victoria and Albert Museum, London.

Also here is Constable’s wonderful 1835 watercolor painting of the Stonehenge ruins. This watercolor expresses sadness. Its painted after his dear beloved wife passed away and left him alone with their seven children. Constable was extremely sad and deep grief came over him. Look now at this painting. We see one strong remote set of stones standing in the centre, all other pieces have fallen to earth. But lonely as these remote standing stones are, there is hope. A beam of light (or is it a rainbow?) gives warmth and power. I think Constable is expressing his feelings here and also uses this painting to cope with his grief. Constable is like that lonely standing piece. Everything around him fell down, but Constable knows that he needs to cope with his losses. This beautiful Stonehenge watercolor painting confirms to me the healing strength of art. Constable himself said: “Painting is but another word for feeling”.