“The Three Kings and The Bean King”
In the Low Countries, the Feast of Epiphany, or Twelfth Night of Christmas, is known as Drie Koningen (Three Kings). The Christian holiday is traditionally celebrated on January 6th with a festive meal at which friends and relatives gather to eat, drink and be merry. Drie Koningen originated as a medieval church holiday with public performances and festivals reenacting the biblical story of the Three Kings from the East who follow a bright star to find and do homage to the newborn Jesus. Although public performances had become outmoded in the 17th century, Twelfth Night continued to be celebrated in taverns and homes.

The King Drinks or Peasants Celebrating Twelfth Night (1635), David Teniers the Younger (Flemish, 1610 – 1690), 47x70cm, National Gallery, Washington.
It was a secular way to celebrate the Catholic Epiphany; the Protestants did disapprove of these Catholic festivities, but could not prohibit the feast staying popular indoors and within the family. The evening began with the proclamation of a “King,” played by the eldest member of the company or chosen by lot. This was done by drawing paper lots or by the concealment of a bean or coin in a large cake, and the person in whose portion it was found would preside over the festivities as “King” or “Bean King.” He put on a fake crown, chose a queen, and appointed a staff of courtiers – from minister to jester.

The Feast of the Bean King (c.1642), Jacob Jordaens (Flemish, 1593 – 1678) 242×300cm, Kunsthistorisches Museum, Vienna.
Royal duties were extremely simple: When the King raised a glass of wine or beer, everyone had to exclaim in chorus: “The King Drinks!” as an appeal to the participants in the feast to follow the King’s example. And that happened often enough! Such feasts dragged on the whole night.

The King Drinks (c.1639), Jacob Jordaens (Flemish, 1593 – 1678), 156×210 cm, Royal Museums of Fine Arts of Belgium, Brussels.
The “King” was not necessarily meant to represent one of the Three Kings, but might refer to the misrule of Herod, who is mocked as a drunkard and as a reminder of his all too excessive indulgence.



Crispijn van de Passe I, engraver (Dutch, c.1564 – 1637) after design by Maerten de Vos (Flemish, 1532 – 1603), engraving, 12cm, Centraal Museum, Utrecht.



Publisher Widow Hendrik van der Putte, Amsterdam, c.1766, 31×22cm, Rijksmuseum, Amsterdam.
